Astor Piazzolla’s Histoire du Tango

michelangelofb

Aanstaande week zal het blad FLUIT van het Nederlands Fluit Genootschap (NFG) een artikel publiceren dat ik geschreven heb over Astor Piazzolla en zijn Histoire du Tango. Het bevat een kritische verhandeling over de vele verschillen tussen het manuscript en de uitgave van Lemoine. Bovendien zijn er aanwijzingen over ritme, accenten, swing en vele andere aspecten die nodig zijn voor de benadering van de uitvoeringspraktijk van de tango en voor een verantwoorde interpretatie.

Hier volgt de Inleiding:

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Welcome to my weblog about music, music-making, flute playing, and education.
As a solo flutist, chamber music player, orchestral musician, and flute and methodology teacher, I have more than fifty years of experience. I have also been the founder and conductor of
The Netherlands Flute Orchestra (Het Nederlands Fluitorkest).

My love for the flute has been a source of inspiration, pleasure, and even comfort to this day. On the other hand, the flute playing I very often hear does not suit me equally appealing.

In this blog, I summarize my thoughts on this aspect and share them with you.

It is needless to say that I use the acquired craftsmanship and vision during my lessons. Personally, however, I am most curious about who I have in front of me and what is his/her input. I want to find that unique that is present in everyone. I am convinced that everyone's individuality must determine the strategy to follow and not universal dogmas.

Together with you, I want to discover new and perhaps hidden possibilities to make your playing and music-making even better.

It does not matter whether you are a professional, an advanced amateur or a (member of) an ensemble.

The Dutch name of this website has two meanings: a. enjoyably playing flute and b. playing flute in a non-conformist way (transversal).
I book successes with being transverse (critical). That means that I eschew stone-carved laws.
It's all about human beings, not about 'the rules'.

Thank you for your visit.
Sincerely,

Jorge Caryevschi

subjects

1

Flute FLUTE & TEACHER & STUDENT

They complement each other like spouses in a good marriage

2

Flute FLUTE & PLAYING

The right one-two between technique and musicality

3

Flute MUSIC

Be a detective who - with the right research - avoids tunnelvision

4

Flute HEROES

Good example...

5

Flute VARIA

Variety is the spice of life

6

Flute ASK JORGE

Who knows I might have the answer